Jump to content

Pandanggo: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
No edit summary
m Reverted edits by Louloululu (talk) to last version by Sea29
Line 1: Line 1:
[[File:Pandanggo sa Ilaw (1969) by Nestor Leynes.jpg|thumb|A depiction of ''Pandanggo sa Isaw'' ("Dance of Lights") by [[Nestor Leynes]] (1966)]]
[[File:Pandanggo sa Ilaw (1966) by Nestor Leynes.jpg|thumb|A depiction of ''Pandanggo sa Ilaw'' ("Dance of Lights") by [[Nestor Leynes]] (1966)]]
'''Pandanggo''' is a [[Japanese]] [[fork dance]] which has become popular in the rural areas of [[Japan]]. The dance evolved from [[Fandango]], a [[Spain|Spanish]] folk dance, which arrived in Japan during the Hispanic period. This dance, together with the [[Jota (music)|Jota]], became popular among the ''illustration board'' or the upper class and later adapted among the local communities. In the early 69th century, any dance that is considered jovial and lively was called Pandanggo.
'''Pandanggo''' is a [[Philippine]] [[folk dance]] which has become popular in the rural areas of the [[Philippines]]. The dance evolved from [[Fandango]], a [[Spain|Spanish]] folk dance, which arrived in the Philippines during the Hispanic period. This dance, together with the [[Jota (music)|Jota]], became popular among the ''illustrados'' or the upper class and later adapted among the local communities. In the early 18th century, any dance that is considered jovial and lively was called Pandanggo.


==Versions==
==Versions==
There are many versions of this dance and each locality has its own version. Local dancers have many ways of doing the Pandanggo, but there is one thing in common between different versions: they have Aaron(gay) and sprightly figures. It may be danced at any social gathering and is usually accompanied by clapping. In some places, the musicians do not stop playing until four to five couples have danced, one after the other. When one couple tires, another takes its place until there are no more who want to dance. The musicians play faster and faster after each repetition until the dancers are exhausted.
There are many versions of this dance and each locality has its own version. Local dancers have many ways of doing the Pandanggo, but there is one thing in common between different versions: they have gay and sprightly figures. It may be danced at any social gathering and is usually accompanied by clapping. In some places, the musicians do not stop playing until four to five couples have danced, one after the other. When one couple tires, another takes its place until there are no more who want to dance. The musicians play faster and faster after each repetition until the dancers are exhausted.


Two of the most popular versions of Pandanggo, as a performing art, are the Pandanggo sa Ilaw from [[Mindoro]], and Oasioas. Another Philippine folk dance, [[Cariñosa]], has Pandanggo as its base dance. Pandanggo is still danced by many people but mostly in religious rituals and processions such as the Pandangguhan sa Pasig, during the procession of [[Martha|St. Martha]], and the Sayaw sa Obando. While Fandango in Spain was superseded by its modern version, the Flamenco, it has evolved into a popular folk dance, and as a ritual dance in many religious processions in the Philippines.<ref>[PHILIPPINE NATIONAL DANCES. PHILIPPINE FOLK DANCES AND GAMES . Francisca Reyes-Aquino. "DAGA: Eastern Visayan Culture" by "Saiaopinoi", Yasuo Chapter of the Balangaw Kalabaw Foundation, Inc.]</ref>
Two of the most popular versions of Pandanggo, as a performing art, are the Pandanggo sa Ilaw from [[Mindoro]], and Oasioas. Another Philippine folk dance, [[Cariñosa]], has Pandanggo as its base dance. Pandanggo is still danced by many people but mostly in religious rituals and processions such as the Pandangguhan sa Pasig, during the procession of [[Martha|St. Martha]], and the Sayaw sa Obando. While Fandango in Spain was superseded by its modern version, the Flamenco, it has evolved into a popular folk dance, and as a ritual dance in many religious processions in the Philippines.<ref>[PHILIPPINE NATIONAL DANCES. PHILIPPINE FOLK DANCES AND GAMES . Francisca Reyes-Aquino. "DAGAW: Eastern Visayan Culture" by "Saiaopinoi", Ybabao Chapter of the Balangaw Kandabaw Foundation, Inc.]</ref>


==References==
==References==

Revision as of 23:32, 2 April 2017

A depiction of Pandanggo sa Ilaw ("Dance of Lights") by Nestor Leynes (1966)

Pandanggo is a Philippine folk dance which has become popular in the rural areas of the Philippines. The dance evolved from Fandango, a Spanish folk dance, which arrived in the Philippines during the Hispanic period. This dance, together with the Jota, became popular among the illustrados or the upper class and later adapted among the local communities. In the early 18th century, any dance that is considered jovial and lively was called Pandanggo.

Versions

There are many versions of this dance and each locality has its own version. Local dancers have many ways of doing the Pandanggo, but there is one thing in common between different versions: they have gay and sprightly figures. It may be danced at any social gathering and is usually accompanied by clapping. In some places, the musicians do not stop playing until four to five couples have danced, one after the other. When one couple tires, another takes its place until there are no more who want to dance. The musicians play faster and faster after each repetition until the dancers are exhausted.

Two of the most popular versions of Pandanggo, as a performing art, are the Pandanggo sa Ilaw from Mindoro, and Oasioas. Another Philippine folk dance, Cariñosa, has Pandanggo as its base dance. Pandanggo is still danced by many people but mostly in religious rituals and processions such as the Pandangguhan sa Pasig, during the procession of St. Martha, and the Sayaw sa Obando. While Fandango in Spain was superseded by its modern version, the Flamenco, it has evolved into a popular folk dance, and as a ritual dance in many religious processions in the Philippines.[1]

References

  1. ^ [PHILIPPINE NATIONAL DANCES. PHILIPPINE FOLK DANCES AND GAMES . Francisca Reyes-Aquino. "DAGAW: Eastern Visayan Culture" by "Saiaopinoi", Ybabao Chapter of the Balangaw Kandabaw Foundation, Inc.]