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{{Short description|1970 novel by Saul Bellow}}
{{infobox book | <!-- See [[Wikipedia:WikiProject Novels]] or [[Wikipedia:WikiProject Books]] -->
{{infobox book | <!-- See [[Wikipedia:WikiProject Novels]] or [[Wikipedia:WikiProject Books]] -->
| name = Mr. Sammler's Planet
| name = Mr. Sammler's Planet
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| caption = First edition
| caption = First edition
| author = [[Saul Bellow]]
| author = [[Saul Bellow]]
| illustrator =
| illustrator =
| cover_artist = Mel Williamson<ref>[https://www.flickr.com/photos/13313279@N04/sets/72157625652290628/show/ Modern first editions - a set on Flickr]</ref>
| cover_artist = Mel Williamson<ref>[https://www.flickr.com/photos/13313279@N04/sets/72157625652290628/show/ Modern first editions - a set on Flickr]</ref>
| country = United States
| country = United States
| language = English
| language = English
| series =
| series =
| subject =
| subject =
| publisher = [[Viking Press]]
| publisher = [[Viking Press]]
| release_date = 1970
| release_date = 1970
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| media_type = Print
| media_type = Print
| pages = 313
| pages = 313
| isbn = 0-670-49322-8
| isbn = 0-670-49322-8
| dewey =
| dewey =
| congress =
| congress =
| oclc =
| oclc =
| preceded_by =
| preceded_by =
| followed_by =
| followed_by =
}}
}}


'''''Mr. Sammler's Planet''''' is a 1970 [[novel]] by the [[United States|American]] author [[Saul Bellow]]. It won the [[National Book Award for Fiction]] in 1971.<ref name=nba1971>
'''''Mr. Sammler's Planet''''' is a 1970 [[novel]] by the [[United States|American]] author [[Saul Bellow]]. It won the [[National Book Award for Fiction]] in 1971.<ref name=nba1971>
[http://www.nationalbook.org/nba1971.html "National Book Awards – 1971"]. NBF. Retrieved 2012-03-03. (With essay by Craig Morgan Teicher from the Awards 60-year anniversary blog.)</ref>
[https://www.nationalbook.org/awards-prizes/national-book-awards-1971 "National Book Awards – 1971"]. NBF. Retrieved 2012-03-03. (With essay by Craig Morgan Teicher from the Awards 60-year anniversary blog.)</ref>


== Plot synopsis ==
== Plot synopsis ==


Mr. Artur Sammler, [[the Holocaust|Holocaust]] survivor, intellectual, and occasional lecturer at [[Columbia University]] in 1960s [[New York City]], is a "registrar of madness", a refined and civilized being caught among people crazy with the promises of the future (moon landings, endless possibilities). "Sorry for all and sore at heart", he observes how greater luxury and leisure have only led to more human suffering.
Mr. Artur Sammler, a [[the Holocaust|Holocaust]] survivor, intellectual and occasional lecturer at [[Columbia University]] in 1960s [[New York City]], is a "registrar of madness", a refined and civilized being caught among people crazy with the promises of the future (Moon landings, endless possibilities). "Sorry for all and sore at heart", he observes how greater luxury and leisure have only led to more human suffering.


To Mr. Sammler—who by the end of the novel has found the compassionate consciousness necessary to bridge the gap between himself and his fellow beings—a good life is one in which a person does what is "required of him". To know and to meet the "terms of the contract" was as true a life as one could live.
To Mr. Sammler—who by the end of the novel has found the compassionate consciousness necessary to bridge the gap between himself and his fellow beings—a good life is one in which a person does what is "required of him". To know and to meet the "terms of the contract" was as true a life as one could live.
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==Literary significance and criticism==
==Literary significance and criticism==


Though some critics have pigeonholed the novel as a response to the Holocaust<ref>[https://books.google.com/books?id=wcD58lpBUoYC&pg=PA63&dq=%22Mr.+Sammler's+Planet%22&as_brr=3&ie=ISO-8859-1&output=html&cd=1 Dittmar, ''The end of enlightenment: Bellow's universal view of the Holocaust in "Sammler's Planet"]</ref> or as a Jeremiad against 1960s social mores<ref>[https://books.google.com/books?id=611q7FQESukC&pg=PA256&dq=%22Mr.+Sammler's+Planet%22&lr=&as_brr=3&ie=ISO-8859-1&output=html&cd=11 ''Cambridge History of American Literature'', p.256]</ref> and it is true that Sammler is horrified by those mores because, as [[Philip Roth]] pointed out, he views them as "the betrayal by the crazy species of the civilized ideal"<ref>[http://www.pen.org/viewmedia.php/prmMID/1582/prmID/1478 Roth, ''Rereading Saul Bellow'']</ref>
Some critics have pigeonholed the novel as a response to the Holocaust or as a Jeremiad against 1960s social mores — and it is true that Sammler is horrified by those mores because, as [[Philip Roth]] pointed out, he views them as "the betrayal by the crazy species of the civilized ideal" — others have noted that the novel revolves, as does [[Herzog (novel)|''Herzog'']], around Sammler's conflicts between intellect and intuition, between acting in the world and standing aside to observe it.<ref>[https://books.google.com/books?id=wcD58lpBUoYC&dq=%22Mr.+Sammler's+Planet%22&pg=PA63 Dittmar, ''The end of enlightenment: Bellow's universal view of the Holocaust in "Sammler's Planet"]</ref><ref>[https://books.google.com/books?id=611q7FQESukC&dq=%22Mr.+Sammler's+Planet%22&pg=PA256 ''Cambridge History of American Literature'', p.256]</ref><ref>[http://www.pen.org/viewmedia.php/prmMID/1582/prmID/1478 Roth, ''Rereading Saul Bellow''] {{webarchive|url=https://web.archive.org/web/20090413031846/http://www.pen.org/viewmedia.php/prmMID/1582/prmID/1478 |date=2009-04-13 }}</ref><ref>[https://books.google.com/books?id=jVP559h--0wC&dq=%22Mr.+Sammler's+Planet%22&pg=PA11 Pifer, ''Saul Bellow against the Grain'', p.11]</ref> In a slowly building epiphany at the novel's end, Sammler finds a balance. [[Joyce Carol Oates]] wrote that she admired "the conclusion of ''Mr. Sammler's Planet'', which is so powerful that it forces us to immediately reread the entire novel, because we have been ''altered in the process of reading it'' and are now, at its conclusion, ready to begin reading it".<ref>[https://www.nytimes.com/books/97/09/21/reviews/oates-side.html Oates, ''Whose Side Are You On'']</ref>

others have noted that the novel revolves, as does [[Herzog (novel)|''Herzog'']], around Sammler's conflicts between intellect and intuition, between acting in the world and standing aside to observe it.<ref>[https://books.google.com/books?id=jVP559h--0wC&pg=PA11&dq=%22Mr.+Sammler's+Planet%22&as_brr=3&ie=ISO-8859-1&output=html&cd=10 Pifer, ''Saul Bellow against the Grain'', p.11]</ref> In a slowly building epiphany at the novel's end, Sammler finds a balance; [[Joyce Carol Oates]] wrote that she admired "the conclusion of ''Mr. Sammler's Planet'', which is so powerful that it forces us to immediately reread the entire novel, because we have been ''altered in the process of reading it'' and are now, at its conclusion, ready to begin reading it."<ref>[https://www.nytimes.com/books/97/09/21/reviews/oates-side.html Oates, ''Whose Side Are You On'']</ref> At the conclusion, Sammler speaks to God. Referring either to the existence of objective moral truths or to the existence of God Himself, he says: "For that is the truth of it--that we all know, God, that we know, that we know, we know, we know."<ref>Bellow, ''Mr. Sammler's Planet'', [https://books.google.com/books?cd=1&ie=ISO-8859-1&output=html&as_brr=0&id=0TMEAQAAIAAJ&dq=%22Mr.+Sammler%27s+Planet%22&q=%22that+we+all+know%2C+God%2C+that+we+know%2C+that+we+know%2C+we+know%2C+we+know.%22 page 313]</ref> In a lecture a few years later, asked to explain those lines, Bellow said this: "You read the New Testament and the assumption Jesus makes continually is that people know the difference immediately between good and evil... And that is in part what faith means. It doesn't even require discussion. It means that there is an implicit knowledge -- very ancient if not eternal -- which human beings really share and that if they based their relationships on that knowledge existence could be transformed."<ref>as quoted in [https://books.google.com/books?id=jVP559h--0wC&pg=PA7&dq=%22Mr.+Sammler's+Planet%22+Bellow+Jesus&as_brr=3&ie=ISO-8859-1&output=html&cd=1 Pifer, ''op.cit.'', p.7]</ref>
At the conclusion, Sammler speaks to God. Referring either to the existence of objective moral truths or to the existence of God Himself, he says "For that is the truth of itthat we all know, God, that we know, that we know, we know, we know".<ref>Bellow, ''Mr. Sammler's Planet'', [https://books.google.com/books?id=0TMEAQAAIAAJ&q=%22that+we+all+know%2C+God%2C+that+we+know%2C+that+we+know%2C+we+know%2C+we+know.%22 page 313]</ref> In a lecture a few years later, asked to explain those lines, Bellow said "You read the New Testament and the assumption Jesus makes continually is that people know the difference immediately between good and evil... And that is in part what faith means. It doesn't even require discussion. It means that there is an implicit knowledge very ancient if not eternal which human beings really share and that if they based their relationships on that knowledge existence could be transformed".<ref>as quoted in [https://books.google.com/books?id=jVP559h--0wC&dq=%22Mr.+Sammler's+Planet%22+Bellow+Jesus&pg=PA7 Pifer, ''op.cit.'', p.7]</ref>


==References==
==References==
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==External links==
==External links==
*[http://nobelprize.org/nobel_prizes/literature/laureates/1976/bellow-bio.html Profile of Saul Bellow] at the Nobel Prize website
* [http://nobelprize.org/nobel_prizes/literature/laureates/1976/bellow-bio.html Profile of Saul Bellow] at the Nobel Prize website
*[http://www.saulbellow.org Saul Bellow Society]
* [http://www.saulbellow.org Saul Bellow Society]
{{NBA for Fiction 1950–1974}}
{{NBA for Fiction 1950–1974}}
{{SaulBellow}}
{{SaulBellow}}
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{{s-ach|aw}}
{{s-ach|aw}}
{{succession box
{{succession box
| before = ''[[Them (novel)|them]]''<br/>[[Joyce Carol Oates]]
| before = ''[[Them (novel)|them]]''<br />[[Joyce Carol Oates]]
| title = [[National Book Award for Fiction]]
| title = [[National Book Award for Fiction]]
| years = 1971
| years = 1971
| after = ''[[The Complete Stories (O'Connor)|The Complete Stories]]''<br/>[[Flannery O'Connor]]
| after = ''[[The Complete Stories (O'Connor)|The Complete Stories]]''<br />[[Flannery O'Connor]]
}}
}}
{{s-end}}
{{s-end}}


{{DEFAULTSORT:Mister Sammler's Planet}}
[[Category:1970 American novels]]
[[Category:1970 American novels]]
[[Category:Novels by Saul Bellow]]
[[Category:Novels by Saul Bellow]]

Latest revision as of 19:07, 13 June 2024

Mr. Sammler's Planet
First edition
AuthorSaul Bellow
Cover artistMel Williamson[1]
LanguageEnglish
PublisherViking Press
Publication date
1970
Publication placeUnited States
Media typePrint
Pages313
ISBN0-670-49322-8

Mr. Sammler's Planet is a 1970 novel by the American author Saul Bellow. It won the National Book Award for Fiction in 1971.[2]

Plot synopsis[edit]

Mr. Artur Sammler, a Holocaust survivor, intellectual and occasional lecturer at Columbia University in 1960s New York City, is a "registrar of madness", a refined and civilized being caught among people crazy with the promises of the future (Moon landings, endless possibilities). "Sorry for all and sore at heart", he observes how greater luxury and leisure have only led to more human suffering.

To Mr. Sammler—who by the end of the novel has found the compassionate consciousness necessary to bridge the gap between himself and his fellow beings—a good life is one in which a person does what is "required of him". To know and to meet the "terms of the contract" was as true a life as one could live.

Literary significance and criticism[edit]

Some critics have pigeonholed the novel as a response to the Holocaust or as a Jeremiad against 1960s social mores — and it is true that Sammler is horrified by those mores because, as Philip Roth pointed out, he views them as "the betrayal by the crazy species of the civilized ideal" — others have noted that the novel revolves, as does Herzog, around Sammler's conflicts between intellect and intuition, between acting in the world and standing aside to observe it.[3][4][5][6] In a slowly building epiphany at the novel's end, Sammler finds a balance. Joyce Carol Oates wrote that she admired "the conclusion of Mr. Sammler's Planet, which is so powerful that it forces us to immediately reread the entire novel, because we have been altered in the process of reading it and are now, at its conclusion, ready to begin reading it".[7]

At the conclusion, Sammler speaks to God. Referring either to the existence of objective moral truths or to the existence of God Himself, he says "For that is the truth of it — that we all know, God, that we know, that we know, we know, we know".[8] In a lecture a few years later, asked to explain those lines, Bellow said "You read the New Testament and the assumption Jesus makes continually is that people know the difference immediately between good and evil... And that is in part what faith means. It doesn't even require discussion. It means that there is an implicit knowledge — very ancient if not eternal — which human beings really share and that if they based their relationships on that knowledge existence could be transformed".[9]

References[edit]

External links[edit]

Awards
Preceded by National Book Award for Fiction
1971
Succeeded by