Norman Taurog: Difference between revisions
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{{Short description|American film director |
{{Short description|American film director (1899–1981)}} |
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{{Infobox person |
{{Infobox person |
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| name = Norman Taurog |
| name = Norman Taurog |
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| image = Norman Taurog.jpg |
| image = Norman Taurog.jpg |
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| birth_name = Norman Rae Taurog |
| birth_name = Norman Rae Taurog |
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| birth_date = {{birth date |
| birth_date = {{birth date|1899|02|23}} |
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| birth_place = [[Chicago |
| birth_place = [[Chicago, Illinois]], U.S. |
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| death_date = {{death date and age |
| death_date = {{death date and age|1981|04|07|1899|02|23}} |
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| death_place = [[Rancho Mirage, California]], |
| death_place = [[Rancho Mirage, California]], U.S. |
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| occupation = {{hlist| |
| occupation = {{hlist|Film director|screenwriter}} |
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| years active = 1919−1968 |
| years active = 1919−1968 |
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| spouse = {{plainlist| |
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⚫ | |||
* {{marriage|Julie Leonard|1929|1943|end=div}} |
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⚫ | |||
}} (1916-2008) |
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| children = 3 |
| children = 3 |
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| awards = '''[[Academy Award for Best Director]]'''<br>1932 ''[[Skippy (film)|Skippy]]'' |
| awards = '''[[Academy Award for Best Director]]'''<br />1932 ''[[Skippy (film)|Skippy]]'' |
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}} |
}} |
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'''Norman Rae Taurog''' (February 23, 1899 – April 7, 1981) was an American |
'''Norman Rae Taurog''' (February 23, 1899 – April 7, 1981) was an American film director and screenwriter.<ref name="allmovie">{{cite web|title=Norman Taurog |website=Allmovie |url=http://www.allmovie.com/artist/norman-taurog-p113709 |access-date=September 8, 2012}}</ref> From 1920 to 1968, Taurog directed 180 films. At the age of 32, he received the [[Academy Award for Best Director]] for ''[[Skippy (film)|Skippy]]'' (1931), becoming the youngest person to win the award for eight and a half decades until [[Damien Chazelle]] won for ''[[La La Land]]'' in 2017. He was later nominated for Best Director for the film ''[[Boys Town (film)|Boys Town]]'' (1938). He directed some of the best-known actors of the twentieth century, including his nephew [[Jackie Cooper]], [[Spencer Tracy]], [[Mickey Rooney]], [[Judy Garland]], [[Deanna Durbin]], [[Fred Astaire]], [[Gene Kelly]], [[Deborah Kerr]], [[Peter Lawford]], [[Dean Martin]], [[Jerry Lewis]], and [[Elvis Presley]]. Taurog directed six [[Martin and Lewis]] films, and nine Elvis Presley films, more than any other director. |
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For his contribution to the motion picture industry, Taurog has a star on the [[Hollywood Walk of Fame]] at 1600 Vine Street. |
For his contribution to the motion picture industry, Taurog has a star on the [[Hollywood Walk of Fame]] at 1600 Vine Street. |
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==Early life== |
== Early life == |
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Norman Taurog was born February 23, 1899, in Chicago, Illinois, to Jewish parents Arthur Jack Taurog and Anita (originally "Annie") Taurog (née Goldsmith). His father's naturalization records claim that Arthur was born in the [[Russian Empire]] in 1872 or 1873 and naturalized as a minor, while his mother was from New York. Later census records claimed that Arthur's parents were from Germany, and Anita's were from England. The couple were married in Chicago in 1896. |
Norman Taurog was born February 23, 1899, in Chicago, Illinois, to [[Jewish]] parents Arthur Jack Taurog and Anita (originally "Annie") Taurog (née Goldsmith). His father's naturalization records claim that Arthur was born in the [[Russian Empire]] in 1872 or 1873 and naturalized as a minor, while his mother was from New York. Later census records claimed that Arthur's parents were from Germany, and Anita's were from England. The couple were married in Chicago in 1896. |
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Norman became a child performer on the stage at an early age, making his movie debut at the age of 13 in the [[short film]] ''Tangled Relations'', produced by [[Thomas H. Ince|Thomas Ince]]'s studios. In the eight years until his next screen credit, he worked in theater, mostly [[off-Broadway]]. |
Norman became a child performer on the stage at an early age, making his movie debut at the age of 13 in the [[short film]] ''Tangled Relations'', produced by [[Thomas H. Ince|Thomas Ince]]'s studios. In the eight years until his next screen credit, he worked in theater, mostly [[off-Broadway]]. |
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==Film career== |
== Film career == |
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[[File:MGM camera crew at K-25.jpg|thumb|250px|Norman Taurog (foreground, second from left) and MGM camera crew at [[K-25]], [[Oak Ridge, Tennessee]], in July 1946, filming ''[[The Beginning or the End]]'' (1947)]] |
[[File:MGM camera crew at K-25.jpg|thumb|250px|Norman Taurog (foreground, second from left) and MGM camera crew at [[K-25]], [[Oak Ridge, Tennessee]], in July 1946, filming ''[[The Beginning or the End]]'' (1947)]] |
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In 1919, Taurog returned to the film industry as a director, collaborating with [[Larry Semon]] in ''The Sportsman'' (1920). In the coming decade, he made 42 silent films, mostly shorts. During this time, he developed his style, his forte being light comedy although he could also deal with drama and maintain complex narratives. In early 1928, he directed his first feature |
In 1919, Taurog returned to the film industry as a director, collaborating with [[Larry Semon]] in ''The Sportsman'' (1920). In the coming decade, he made 42 silent films, mostly shorts. During this time, he developed his style, his forte being light comedy although he could also deal with drama and maintain complex narratives. In early 1928, he directed his first feature-length film, ''The Ghetto'' starring [[George Jessel (actor)|George Jessel]], which was expanded in late 1928 with musical and dialogue portions directed by [[Charles C. Wilson (actor)|Charles C. Wilson]] for eventual release as ''[[Lucky Boy (1929 film)|Lucky Boy]]'' (1929). |
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In 1931, |
In 1931, Taurog made his breakthrough, directing ''[[Skippy (film)|Skippy]]'', for which he won an [[Academy Award for Best Director]]. In February 2012, Taurog's Oscar award statue sold for $301,973 at an auction in Beverly Hills. Taurog's nephew [[Jackie Cooper]] was also nominated for his acting performance; in his 1981 autobiography ''Please Don't Shoot My Dog'', Cooper wrote that during Skippy's filming, Cooper could not cry on cue in a movie scene. Taurog then had a studio security guard pretend to shoot Cooper's dog behind a prop wall, to make the child actor cry. (While this autobiography was being written, attempts were made by Cooper's editor to get Taurog's version of events; Taurog declined to participate.) ''Skippy'' tells of the adventures of the eponymous hero, his antics and adventures with his friend Sooky as they try to come up with a license for Sooky's dog, save his shantytown from demolition, sell lemonade and save for a new bike. Based on a popular comic strip character, its sentiment, comedy and moral didacticism (common with movies of the time), added to a gritty realism made it a huge success, so much so that the studio immediately scheduled a sequel, ''Sooky'', for the following year. |
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The next few years saw Taurog enter the third chapter of his career, as an established director who could work in a number of genres. He directed a series of well-received films, including ''[[If I Had a Million]]'' (1932), which showed his ability to work with an all-star cast—[[Gary Cooper]], [[George Raft]], [[Charles Laughton]], and [[W. C. Fields]]. In 1934, he directed ''[[We're Not Dressing]]'', starring [[Bing Crosby]], [[Carole Lombard]], [[George Burns]], [[Gracie Allen]], and [[Ray Milland]]. In 1935, he directed the star-studded musical showcase ''[[The Big Broadcast of 1936]]'' starring Bing Crosby and George Burns and Gracie Allen. |
The next few years saw Taurog enter the third chapter of his career, as an established director who could work in a number of genres. He directed a series of well-received films, including ''[[If I Had a Million]]'' (1932), which showed his ability to work with an all-star cast—[[Gary Cooper]], [[George Raft]], [[Charles Laughton]], and [[W. C. Fields]]. In 1934, he directed ''[[We're Not Dressing]]'', starring [[Bing Crosby]], [[Carole Lombard]], [[George Burns]], [[Gracie Allen]], and [[Ray Milland]]. In 1935, he directed the star-studded musical showcase ''[[The Big Broadcast of 1936]]'' starring Bing Crosby and George Burns and Gracie Allen. |
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In 1938, Taurog brought all his skill and experience to bear with one of the liveliest and most successful adaptations of classic literature; ''[[The Adventures of Tom Sawyer (1938 film)|The Adventures of Tom Sawyer]]'' was an artistic and commercial triumph. The year also brought ''[[Boys Town (film)|Boys Town]]'', showing Taurog to be more than capable of sustaining a dramatic narrative and earning him another Academy Award nomination. It wasn't all success, though. ''[[Lucky Night]]'' (1939) starring [[Myrna Loy]] and [[Robert Taylor (American actor)|Robert Taylor]] was a turkey, and while Taurog shot test scenes for 1939's cinematic extravaganza ''[[The Wizard of Oz (1939 film)|The Wizard of Oz]]'', [[Victor Fleming]] was chosen to direct. Taurog was reassigned to work on ''The Adventures of Tom Sawyer, ''a change which he had little to no say in. However, Taurog went on to earn a Best Director nomination for ''Boys Town'' later that year, despite losing out on directing ''Oz''.<ref>{{cite web|url=http://www.pbagalleries.com/content/2013/08/06/unpublished-wizard-of-oz-photos-from-the-estate-of-norman-taurog/|title=Unpublished Wizard of Oz Photos from the Estate of Norman Taurog |
In 1938, Taurog brought all his skill and experience to bear with one of the liveliest and most successful adaptations of classic literature; ''[[The Adventures of Tom Sawyer (1938 film)|The Adventures of Tom Sawyer]]'' was an artistic and commercial triumph. The year also brought ''[[Boys Town (film)|Boys Town]]'', showing Taurog to be more than capable of sustaining a dramatic narrative and earning him another Academy Award nomination. It wasn't all success, though. ''[[Lucky Night]]'' (1939) starring [[Myrna Loy]] and [[Robert Taylor (American actor)|Robert Taylor]] was a turkey, and while Taurog shot test scenes for 1939's cinematic extravaganza ''[[The Wizard of Oz (1939 film)|The Wizard of Oz]]'', [[Victor Fleming]] was chosen to direct. Taurog was reassigned to work on ''The Adventures of Tom Sawyer, ''a change which he had little to no say in. However, Taurog went on to earn a Best Director nomination for ''Boys Town'' later that year, despite losing out on directing ''Oz''.<ref>{{cite web|url=http://www.pbagalleries.com/content/2013/08/06/unpublished-wizard-of-oz-photos-from-the-estate-of-norman-taurog/|title=Unpublished Wizard of Oz Photos from the Estate of Norman Taurog – PBA Galleries|access-date=March 13, 2016}}</ref> He did, however, helm the last of MGM's big pre-war musical showcases, 1940's ''[[Broadway Melody]]'', starring [[Fred Astaire]] and [[Eleanor Powell]]. He expanded his range into biographies, working with [[Mickey Rooney]] again, in the well-received ''[[Young Tom Edison]]'' (1940). He directed [[Judy Garland]] three times in the early 1940s, in ''[[Little Nellie Kelly]]'' (1940), the 'small-town-girl-gets-big-break' ''[[Presenting Lily Mars]]'' (1943), and the Gershwin musical ''[[Girl Crazy]]'' (1943).<ref name="allmovie" /> |
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After directing re-takes for a wartime propaganda film, ''[[Rationing (1944 film)|Rationing]]'' (1944), Taurog entered new territory with a docudrama of the atom bomb, ''[[The Beginning or the End]]'' (1947). It was back to his metier of light comedy for his next couple of outings, ''[[The Bride Goes Wild]]'' with [[Van Johnson]] and [[June Allyson]] |
After directing re-takes for a wartime propaganda film, ''[[Rationing (1944 film)|Rationing]]'' (1944), Taurog entered new territory with a docudrama of the atom bomb, ''[[The Beginning or the End]]'' (1947). It was back to his metier of light comedy for his next couple of outings, ''[[The Bride Goes Wild]]'' with [[Van Johnson]] and [[June Allyson]] and ''Big City'', both in 1948. Remarkably, he also directed a third film that year combining the genres of comedy, drama and biography and dealing with an all-star cast; ''[[Words and Music (1948 film)|Words and Music]]'' was a fictionalized biopic of the relationship between [[Richard Rodgers]] and [[Lorenz Hart]]. It starred, among others, Judy Garland, [[Gene Kelly]], [[Mickey Rooney]] and [[Cyd Charisse]]. By now, Taurog had established a reputation as a director who was comfortable working in the musical and comedy genre, and who could be relied upon to work with slight material—qualities which would be useful later in his career. |
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[[Dean Martin]] and [[Jerry Lewis]] had been a double-act since 1946 and had made five films together, three Martin and Lewis top-liners, before Taurog directed ''[[Jumping Jacks]]'' (1952), regarded by many Martin and Lewis fans as the finest of their films. Taurog worked well with the duo and he went on to direct them in ''[[The Stooge]]'' (1953), ''[[The Caddy]]'' (1954), ''[[Living It Up]]'' (1955), ''[[You're Never Too Young]]'' (1954), and their penultimate film together, ''[[Pardners]]'' (1956). Taurog worked with Lewis alone twice more, in ''[[Don't Give Up the Ship (film)|Don't Give Up the Ship]]'' (1959) and ''[[Visit to a Small Planet]]'' (1960). |
[[Dean Martin]] and [[Jerry Lewis]] had been a double-act since 1946 and had made five films together, three Martin and Lewis top-liners, before Taurog directed ''[[Jumping Jacks]]'' (1952), regarded by many Martin and Lewis fans as the finest of their films. Taurog worked well with the duo and he went on to direct them in ''[[The Stooge]]'' (1953), ''[[The Caddy]]'' (1954), ''[[Living It Up]]'' (1955), ''[[You're Never Too Young]]'' (1954), and their penultimate film together, ''[[Pardners]]'' (1956). Taurog worked with Lewis alone twice more, in ''[[Don't Give Up the Ship (film)|Don't Give Up the Ship]]'' (1959) and ''[[Visit to a Small Planet]]'' (1960). |
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In 1960, Taurog directed his first [[Elvis Presley]] film, ''[[G.I. Blues]]''. This was a turning point for Elvis. Up until then, he had harbored ambitions of being a [[James Dean]] figure, playing brooding rebel roles in ''[[ |
In 1960, Taurog directed his first [[Elvis Presley]] film, ''[[G.I. Blues]]''. This was a turning point for Elvis. Up until then, he had harbored ambitions of being a [[James Dean]] figure, playing brooding rebel roles in ''[[Loving You (1957 film)|Loving You]]'' (1957), ''[[Jailhouse Rock (film)|Jailhouse Rock]]'' (1957), and ''[[King Creole]]'' (1958). However, [[Colonel Tom Parker]] had different plans for the singer. ''G.I. Blues'' was Elvis's first film in two years, following his return from the army, and would set the tone for future films—a few girls, a few adventures, and a few songs along the way with weak plots and uninspired acting. When well-made, this was an entertaining, light-hearted formula and Taurog, now in his sixties, was an old hand at it. So impressed was Parker with his work that over the next eight years, Taurog directed Elvis in eight more films: ''[[Blue Hawaii]]'' (1961), ''[[Girls! Girls! Girls!]]'' (1962), ''[[It Happened at the World's Fair]]'' (1963), ''[[Tickle Me]]'' (1965), ''[[Spinout (film)|Spinout]]'' (1966), ''[[Double Trouble (1967 film)|Double Trouble]]'' (1967), ''[[Speedway (1968 film)|Speedway]]'' (1968), and ''[[Live a Little, Love a Little]]'' (1968). Although some were better than others—and some were almost identical—Taurog ensured that the films had pace, the comedy was delivered well, and the songs were well executed. ''Live a Little, Love a Little'' was his last film. |
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==Later years== |
== Later years == |
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In 1968, Taurog retired from directing. He later taught at the [[University of Southern California]] School of Cinema and remained a board member of the [[Directors |
In 1968, Taurog retired from directing. He later taught at the [[University of Southern California]] School of Cinema and remained a board member of the [[Directors Guild of America]]. He owned a camera shop in [[Canoga Park, California]]. |
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Toward the end of his life, he became blind. In his last years, he served as director of the [[Braille Institute of America|Braille Institute]] in [[Los Angeles]]. |
Toward the end of his life, he became blind. In his last years, he served as director of the [[Braille Institute of America|Braille Institute]] in [[Los Angeles]]. |
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Taurog died on April 7, 1981 in [[Palm Desert, California]], at the age of 82.<ref name="nytimes-obit">{{cite news|title=Norman Taurog, Director, Dies |newspaper=The New York Times |date=April 10, 1981 |url=https://www.nytimes.com/1981/04/10/obituaries/norman-taurog-director-dies-winner-of-an-oscar-for-skippy.html |access-date=September 8, 2012}}</ref> His ashes were scattered into the [[Pacific Ocean]]. |
Taurog died on April 7, 1981, in [[Palm Desert, California]], at the age of 82.<ref name="nytimes-obit">{{cite news|title=Norman Taurog, Director, Dies |newspaper=The New York Times |date=April 10, 1981 |url=https://www.nytimes.com/1981/04/10/obituaries/norman-taurog-director-dies-winner-of-an-oscar-for-skippy.html |access-date=September 8, 2012}}</ref> His ashes were scattered into the [[Pacific Ocean]]. |
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Taurog has a star on the [[Hollywood Walk of Fame]] at 1600 Vine Street for his contribution to the motion picture industry. |
Taurog has a star on the [[Hollywood Walk of Fame]] at 1600 Vine Street for his contribution to the motion picture industry. |
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Taurog supported [[Barry Goldwater]] in the [[1964 United States presidential election]].<ref>{{Cite book | url=https:// |
Taurog supported [[Barry Goldwater]] in the [[1964 United States presidential election]].<ref>{{Cite book | url=https://books.google.com/books?id=QfHXAAAAQBAJ&q=norman%20taurog | title=When Hollywood Was Right: How Movie Stars, Studio Moguls, and Big Business Remade American Politics| isbn=978-1-107-65028-2| last1=Critchlow| first1=Donald T.| date=October 21, 2013| publisher=Cambridge University Press}}</ref> |
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==Awards and nominations== |
== Awards and nominations == |
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* 1931 Academy Award for Best Director (''Skippy'') |
* 1931 Academy Award for Best Director (''Skippy'') |
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* 1938 Venice Film Festival Mussolini Cup for Best Film (''The Adventures of Tom Sawyer'') |
* 1938 Venice Film Festival Mussolini Cup for Best Film (''The Adventures of Tom Sawyer'') |
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* 1939 Academy Award Nomination for Best Director (''Boys Town'') |
* 1939 Academy Award Nomination for Best Director (''Boys Town'') |
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* 1960 Star on the Walk of Fame for Motion Pictures, dedicated on February 8, 1960 at 1600 Vine Street |
* 1960 Star on the Walk of Fame for Motion Pictures, dedicated on February 8, 1960, at 1600 Vine Street |
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* 1966 Laurel Award Nomination for Director, fourth place |
* 1966 Laurel Award Nomination for Director, fourth place |
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* 1967 Laurel Award Nomination for Director, fifth place |
* 1967 Laurel Award Nomination for Director, fifth place |
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* 1968 Laurel Award Nomination for Director, eighth place |
* 1968 Laurel Award Nomination for Director, eighth place |
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==Filmography== |
== Filmography == |
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From 1920 to 1968, Taurog directed 180 films. The following is a partial list of his feature films. |
From 1920 to 1968, Taurog directed 180 films. The following is a partial list of his feature films. |
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===1920s=== |
=== 1920s === |
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* ''The Fly Cop'' (1920) with [[Larry Semon]] |
* ''The Fly Cop'' (1920) with [[Larry Semon]] |
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* ''[[Lucky Boy]]'' (1929) |
* ''[[Lucky Boy (1929 film)|Lucky Boy]]'' (1929) |
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===1930s=== |
=== 1930s === |
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* ''[[Troopers Three]]'' (1930) |
* ''[[Troopers Three]]'' (1930) |
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* ''[[Sunny Skies (film)|Sunny Skies]]'' (1930) with [[Benny Rubin]] and [[Rex Lease]] |
* ''[[Sunny Skies (film)|Sunny Skies]]'' (1930) with [[Benny Rubin]] and [[Rex Lease]] |
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* ''[[Rhythm on the Range]]'' (1936) with [[Bing Crosby]] and [[Frances Farmer]] |
* ''[[Rhythm on the Range]]'' (1936) with [[Bing Crosby]] and [[Frances Farmer]] |
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* ''[[Mad About Music]]'' (1938) with [[Deanna Durbin]] and [[Herbert Marshall]] |
* ''[[Mad About Music]]'' (1938) with [[Deanna Durbin]] and [[Herbert Marshall]] |
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* ''[[The Girl Downstairs]]'' (1938) with [[Franciska Gaal]] and [[Franchot Tone]] |
* ''[[The Girl Downstairs (film)|The Girl Downstairs]]'' (1938) with [[Franciska Gaal]] and [[Franchot Tone]] |
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* ''[[The Adventures of Tom Sawyer (1938 film)|The Adventures of Tom Sawyer]]'' (1938) with [[Tommy Kelly (actor)|Tommy Kelly]] and [[Jackie Moran]] |
* ''[[The Adventures of Tom Sawyer (1938 film)|The Adventures of Tom Sawyer]]'' (1938) with [[Tommy Kelly (actor)|Tommy Kelly]] and [[Jackie Moran]] |
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* ''[[Boys Town (film)|Boys Town]]'' (1938) with [[Spencer Tracy]] and [[Mickey Rooney]] |
* ''[[Boys Town (film)|Boys Town]]'' (1938) with [[Spencer Tracy]] and [[Mickey Rooney]] |
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===1940s=== |
=== 1940s === |
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* ''[[Young Tom Edison]] (1940) |
* ''[[Young Tom Edison]] (1940) |
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* ''[[Broadway Melody of 1940]]'' (1940) with [[Fred Astaire]] and [[Eleanor Powell]] |
* ''[[Broadway Melody of 1940]]'' (1940) with [[Fred Astaire]] and [[Eleanor Powell]] |
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* ''[[Presenting Lily Mars]]'' (1943) with [[Judy Garland]] and [[Van Heflin]] |
* ''[[Presenting Lily Mars]]'' (1943) with [[Judy Garland]] and [[Van Heflin]] |
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* ''[[Girl Crazy (1943 film)|Girl Crazy]]'' (1943) with [[Mickey Rooney]] and [[Judy Garland]] |
* ''[[Girl Crazy (1943 film)|Girl Crazy]]'' (1943) with [[Mickey Rooney]] and [[Judy Garland]] |
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* ''[[The Canterville Ghost]]'' (1944) co-directed (uncredited) with [[Jules Dassin]] |
* ''[[The Canterville Ghost (1944 film)|The Canterville Ghost]]'' (1944) co-directed (uncredited) with [[Jules Dassin]] |
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* ''[[The Beginning or the End]]'' (1947) with [[Brian Donlevy]] |
* ''[[The Beginning or the End]]'' (1947) with [[Brian Donlevy]] |
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* ''[[The Bride Goes Wild]]'' (1948) with [[Van Johnson]] and [[June Allyson]] |
* ''[[The Bride Goes Wild]]'' (1948) with [[Van Johnson]] and [[June Allyson]] |
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* ''[[Words and Music (1948 film)|Words and Music]]'' (1948) with [[June Allyson]], [[Perry Como]], [[Judy Garland]], [[Gene Kelly]], [[Mickey Rooney]] and [[Cyd Charisse]] |
* ''[[Words and Music (1948 film)|Words and Music]]'' (1948) with [[June Allyson]], [[Perry Como]], [[Judy Garland]], [[Gene Kelly]], [[Mickey Rooney]] and [[Cyd Charisse]] |
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===1950s=== |
=== 1950s === |
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* ''[[Please Believe Me]]'' (1950) with [[Deborah Kerr]], [[Robert Walker (actor, born 1918)|Robert Walker]] and [[Peter Lawford]] |
* ''[[Please Believe Me]]'' (1950) with [[Deborah Kerr]], [[Robert Walker (actor, born 1918)|Robert Walker]] and [[Peter Lawford]] |
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* ''[[The Toast of New Orleans]]'' (1950) with [[Kathryn Grayson]], [[Mario Lanza]] and [[David Niven]] |
* ''[[The Toast of New Orleans]]'' (1950) with [[Kathryn Grayson]], [[Mario Lanza]] and [[David Niven]] |
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* ''[[Don't Give Up the Ship (film)|Don't Give Up the Ship]]'' (1959) with [[Jerry Lewis]] |
* ''[[Don't Give Up the Ship (film)|Don't Give Up the Ship]]'' (1959) with [[Jerry Lewis]] |
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===1960s=== |
=== 1960s === |
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* ''[[Visit to a Small Planet]]'' (1960) with [[Jerry Lewis]] |
* ''[[Visit to a Small Planet]]'' (1960) with [[Jerry Lewis]] |
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* ''[[G.I. Blues]]'' (1960) with [[Elvis Presley]] and [[Juliet Prowse]] |
* ''[[G.I. Blues]]'' (1960) with [[Elvis Presley]] and [[Juliet Prowse]] |
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{{reflist}} |
{{reflist}} |
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==External links== |
== External links == |
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* {{IMDb name|851537|Norman Taurog}} |
* {{IMDb name|851537|Norman Taurog}} |
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* {{Find a Grave|7001049}} |
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{{Norman Taurog}} |
{{Norman Taurog}} |
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{{AcademyAwardBestDirector |
{{AcademyAwardBestDirector 1927–1940}} |
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{{Authority control}} |
{{Authority control}} |
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[[Category:Best Directing Academy Award winners]] |
[[Category:Best Directing Academy Award winners]] |
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[[Category:USC School of Cinematic Arts faculty]] |
[[Category:USC School of Cinematic Arts faculty]] |
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[[Category: |
[[Category:American blind people]] |
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[[Category:Screenwriters from California]] |
[[Category:Screenwriters from California]] |
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[[Category:Screenwriters from Illinois]] |
[[Category:Screenwriters from Illinois]] |
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[[Category:20th-century American screenwriters]] |
[[Category:20th-century American screenwriters]] |
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[[Category:20th-century American Jews]] |
[[Category:20th-century American Jews]] |
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[[Category:Comedy film directors]] |
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[[Category:Parody film directors]] |
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[[Category:American parodists]] |
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[[Category:Film directors with disabilities]] |
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[[Category:Blind writers]] |
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[[Category:American writers with disabilities]] |
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[[Category:Jewish film people]] |
Latest revision as of 07:14, 20 May 2024
This article needs additional citations for verification. (February 2022) |
Norman Taurog | |
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![]() | |
Born | Norman Rae Taurog February 23, 1899 Chicago, Illinois, U.S. |
Died | April 7, 1981 | (aged 82)
Occupations |
|
Years active | 1919−1968 |
Spouses | Julie Leonard
(m. 1929; div. 1943)Susan Ream Broderick
(m. 1944) |
Children | 3 |
Awards | Academy Award for Best Director 1932 Skippy |
Norman Rae Taurog (February 23, 1899 – April 7, 1981) was an American film director and screenwriter.[1] From 1920 to 1968, Taurog directed 180 films. At the age of 32, he received the Academy Award for Best Director for Skippy (1931), becoming the youngest person to win the award for eight and a half decades until Damien Chazelle won for La La Land in 2017. He was later nominated for Best Director for the film Boys Town (1938). He directed some of the best-known actors of the twentieth century, including his nephew Jackie Cooper, Spencer Tracy, Mickey Rooney, Judy Garland, Deanna Durbin, Fred Astaire, Gene Kelly, Deborah Kerr, Peter Lawford, Dean Martin, Jerry Lewis, and Elvis Presley. Taurog directed six Martin and Lewis films, and nine Elvis Presley films, more than any other director.
For his contribution to the motion picture industry, Taurog has a star on the Hollywood Walk of Fame at 1600 Vine Street.
Early life[edit]
Norman Taurog was born February 23, 1899, in Chicago, Illinois, to Jewish parents Arthur Jack Taurog and Anita (originally "Annie") Taurog (née Goldsmith). His father's naturalization records claim that Arthur was born in the Russian Empire in 1872 or 1873 and naturalized as a minor, while his mother was from New York. Later census records claimed that Arthur's parents were from Germany, and Anita's were from England. The couple were married in Chicago in 1896.
Norman became a child performer on the stage at an early age, making his movie debut at the age of 13 in the short film Tangled Relations, produced by Thomas Ince's studios. In the eight years until his next screen credit, he worked in theater, mostly off-Broadway.
Film career[edit]
![](http://upload.wikimedia.org/wikipedia/commons/thumb/5/53/MGM_camera_crew_at_K-25.jpg/250px-MGM_camera_crew_at_K-25.jpg)
In 1919, Taurog returned to the film industry as a director, collaborating with Larry Semon in The Sportsman (1920). In the coming decade, he made 42 silent films, mostly shorts. During this time, he developed his style, his forte being light comedy although he could also deal with drama and maintain complex narratives. In early 1928, he directed his first feature-length film, The Ghetto starring George Jessel, which was expanded in late 1928 with musical and dialogue portions directed by Charles C. Wilson for eventual release as Lucky Boy (1929).
In 1931, Taurog made his breakthrough, directing Skippy, for which he won an Academy Award for Best Director. In February 2012, Taurog's Oscar award statue sold for $301,973 at an auction in Beverly Hills. Taurog's nephew Jackie Cooper was also nominated for his acting performance; in his 1981 autobiography Please Don't Shoot My Dog, Cooper wrote that during Skippy's filming, Cooper could not cry on cue in a movie scene. Taurog then had a studio security guard pretend to shoot Cooper's dog behind a prop wall, to make the child actor cry. (While this autobiography was being written, attempts were made by Cooper's editor to get Taurog's version of events; Taurog declined to participate.) Skippy tells of the adventures of the eponymous hero, his antics and adventures with his friend Sooky as they try to come up with a license for Sooky's dog, save his shantytown from demolition, sell lemonade and save for a new bike. Based on a popular comic strip character, its sentiment, comedy and moral didacticism (common with movies of the time), added to a gritty realism made it a huge success, so much so that the studio immediately scheduled a sequel, Sooky, for the following year.
The next few years saw Taurog enter the third chapter of his career, as an established director who could work in a number of genres. He directed a series of well-received films, including If I Had a Million (1932), which showed his ability to work with an all-star cast—Gary Cooper, George Raft, Charles Laughton, and W. C. Fields. In 1934, he directed We're Not Dressing, starring Bing Crosby, Carole Lombard, George Burns, Gracie Allen, and Ray Milland. In 1935, he directed the star-studded musical showcase The Big Broadcast of 1936 starring Bing Crosby and George Burns and Gracie Allen.
In 1938, Taurog brought all his skill and experience to bear with one of the liveliest and most successful adaptations of classic literature; The Adventures of Tom Sawyer was an artistic and commercial triumph. The year also brought Boys Town, showing Taurog to be more than capable of sustaining a dramatic narrative and earning him another Academy Award nomination. It wasn't all success, though. Lucky Night (1939) starring Myrna Loy and Robert Taylor was a turkey, and while Taurog shot test scenes for 1939's cinematic extravaganza The Wizard of Oz, Victor Fleming was chosen to direct. Taurog was reassigned to work on The Adventures of Tom Sawyer, a change which he had little to no say in. However, Taurog went on to earn a Best Director nomination for Boys Town later that year, despite losing out on directing Oz.[2] He did, however, helm the last of MGM's big pre-war musical showcases, 1940's Broadway Melody, starring Fred Astaire and Eleanor Powell. He expanded his range into biographies, working with Mickey Rooney again, in the well-received Young Tom Edison (1940). He directed Judy Garland three times in the early 1940s, in Little Nellie Kelly (1940), the 'small-town-girl-gets-big-break' Presenting Lily Mars (1943), and the Gershwin musical Girl Crazy (1943).[1]
After directing re-takes for a wartime propaganda film, Rationing (1944), Taurog entered new territory with a docudrama of the atom bomb, The Beginning or the End (1947). It was back to his metier of light comedy for his next couple of outings, The Bride Goes Wild with Van Johnson and June Allyson and Big City, both in 1948. Remarkably, he also directed a third film that year combining the genres of comedy, drama and biography and dealing with an all-star cast; Words and Music was a fictionalized biopic of the relationship between Richard Rodgers and Lorenz Hart. It starred, among others, Judy Garland, Gene Kelly, Mickey Rooney and Cyd Charisse. By now, Taurog had established a reputation as a director who was comfortable working in the musical and comedy genre, and who could be relied upon to work with slight material—qualities which would be useful later in his career.
Dean Martin and Jerry Lewis had been a double-act since 1946 and had made five films together, three Martin and Lewis top-liners, before Taurog directed Jumping Jacks (1952), regarded by many Martin and Lewis fans as the finest of their films. Taurog worked well with the duo and he went on to direct them in The Stooge (1953), The Caddy (1954), Living It Up (1955), You're Never Too Young (1954), and their penultimate film together, Pardners (1956). Taurog worked with Lewis alone twice more, in Don't Give Up the Ship (1959) and Visit to a Small Planet (1960).
In 1960, Taurog directed his first Elvis Presley film, G.I. Blues. This was a turning point for Elvis. Up until then, he had harbored ambitions of being a James Dean figure, playing brooding rebel roles in Loving You (1957), Jailhouse Rock (1957), and King Creole (1958). However, Colonel Tom Parker had different plans for the singer. G.I. Blues was Elvis's first film in two years, following his return from the army, and would set the tone for future films—a few girls, a few adventures, and a few songs along the way with weak plots and uninspired acting. When well-made, this was an entertaining, light-hearted formula and Taurog, now in his sixties, was an old hand at it. So impressed was Parker with his work that over the next eight years, Taurog directed Elvis in eight more films: Blue Hawaii (1961), Girls! Girls! Girls! (1962), It Happened at the World's Fair (1963), Tickle Me (1965), Spinout (1966), Double Trouble (1967), Speedway (1968), and Live a Little, Love a Little (1968). Although some were better than others—and some were almost identical—Taurog ensured that the films had pace, the comedy was delivered well, and the songs were well executed. Live a Little, Love a Little was his last film.
Later years[edit]
In 1968, Taurog retired from directing. He later taught at the University of Southern California School of Cinema and remained a board member of the Directors Guild of America. He owned a camera shop in Canoga Park, California.
Toward the end of his life, he became blind. In his last years, he served as director of the Braille Institute in Los Angeles.
Taurog died on April 7, 1981, in Palm Desert, California, at the age of 82.[3] His ashes were scattered into the Pacific Ocean.
Taurog has a star on the Hollywood Walk of Fame at 1600 Vine Street for his contribution to the motion picture industry.
Taurog supported Barry Goldwater in the 1964 United States presidential election.[4]
Awards and nominations[edit]
- 1931 Academy Award for Best Director (Skippy)
- 1938 Venice Film Festival Mussolini Cup for Best Film (The Adventures of Tom Sawyer)
- 1939 Academy Award Nomination for Best Director (Boys Town)
- 1960 Star on the Walk of Fame for Motion Pictures, dedicated on February 8, 1960, at 1600 Vine Street
- 1966 Laurel Award Nomination for Director, fourth place
- 1967 Laurel Award Nomination for Director, fifth place
- 1968 Laurel Award Nomination for Director, eighth place
Filmography[edit]
From 1920 to 1968, Taurog directed 180 films. The following is a partial list of his feature films.
1920s[edit]
- The Fly Cop (1920) with Larry Semon
- Lucky Boy (1929)
1930s[edit]
- Troopers Three (1930)
- Sunny Skies (1930) with Benny Rubin and Rex Lease
- Skippy (1931) with Jackie Cooper
- Newly Rich (1931) with Mitzi Green
- Huckleberry Finn (1931) with Jackie Coogan
- Sooky (1931) with Jackie Cooper and Robert Coogan
- The Phantom President (1932) with George M. Cohan, Claudette Colbert and Jimmy Durante
- A Bedtime Story (1933) with Maurice Chevalier
- We're Not Dressing (1934) with Bing Crosby, Carole Lombard, and George Burns
- The Big Broadcast of 1936 (1935) with Bing Crosby, Ethel Merman, Dorothy Dandridge and Glenn Miller
- Rhythm on the Range (1936) with Bing Crosby and Frances Farmer
- Mad About Music (1938) with Deanna Durbin and Herbert Marshall
- The Girl Downstairs (1938) with Franciska Gaal and Franchot Tone
- The Adventures of Tom Sawyer (1938) with Tommy Kelly and Jackie Moran
- Boys Town (1938) with Spencer Tracy and Mickey Rooney
1940s[edit]
- Young Tom Edison (1940)
- Broadway Melody of 1940 (1940) with Fred Astaire and Eleanor Powell
- Little Nellie Kelly (1940) with Judy Garland
- Men of Boys Town (1941) with Spencer Tracy and Mickey Rooney
- Design for Scandal (1941) with Rosalind Russell and Walter Pidgeon
- A Yank at Eton (1942) with Mickey Rooney
- Presenting Lily Mars (1943) with Judy Garland and Van Heflin
- Girl Crazy (1943) with Mickey Rooney and Judy Garland
- The Canterville Ghost (1944) co-directed (uncredited) with Jules Dassin
- The Beginning or the End (1947) with Brian Donlevy
- The Bride Goes Wild (1948) with Van Johnson and June Allyson
- Big City (1948) with Margaret O'Brien
- Words and Music (1948) with June Allyson, Perry Como, Judy Garland, Gene Kelly, Mickey Rooney and Cyd Charisse
1950s[edit]
- Please Believe Me (1950) with Deborah Kerr, Robert Walker and Peter Lawford
- The Toast of New Orleans (1950) with Kathryn Grayson, Mario Lanza and David Niven
- Room for One More (1952) with Cary Grant
- Jumping Jacks (1952) with Dean Martin and Jerry Lewis
- The Stooge (1953) with Dean Martin and Jerry Lewis
- The Caddy (1953) with Dean Martin, Jerry Lewis and Donna Reed
- Light's Diamond Jubilee (1954, TV special with 6 other directors)
- Living It Up (1954) with Dean Martin, Jerry Lewis and Janet Leigh
- You're Never Too Young (1955) with Dean Martin and Jerry Lewis
- Pardners (1956) with Dean Martin and Jerry Lewis
- The Birds and the Bees (1956) with George Gobel, Mitzi Gaynor and David Niven
- The Fuzzy Pink Nightgown (1957) with Jane Russell
- Don't Give Up the Ship (1959) with Jerry Lewis
1960s[edit]
- Visit to a Small Planet (1960) with Jerry Lewis
- G.I. Blues (1960) with Elvis Presley and Juliet Prowse
- All Hands on Deck (1961) with Pat Boone
- Blue Hawaii (1961) with Elvis Presley, Joan Blackman and Angela Lansbury
- Girls! Girls! Girls! (1962) with Elvis Presley and Stella Stevens
- Palm Springs Weekend (1963) with Troy Donahue and Connie Stevens
- It Happened at the World's Fair (1963) with Elvis Presley and Gary Lockwood
- Tickle Me (1965) with Elvis Presley and Jocelyn Lane
- Sergeant Deadhead (1965) with Frankie Avalon
- Dr. Goldfoot and the Bikini Machine (1965) with Vincent Price
- Spinout (1966) with Elvis Presley and Shelley Fabares
- Double Trouble (1967) with Elvis Presley
- Speedway (1968) with Elvis Presley, Nancy Sinatra and Bill Bixby
- Live a Little, Love a Little (1968) with Elvis Presley, Michele Carey and Dick Sargent
See also[edit]
References[edit]
- ^ a b "Norman Taurog". Allmovie. Retrieved September 8, 2012.
- ^ "Unpublished Wizard of Oz Photos from the Estate of Norman Taurog – PBA Galleries". Retrieved March 13, 2016.
- ^ "Norman Taurog, Director, Dies". The New York Times. April 10, 1981. Retrieved September 8, 2012.
- ^ Critchlow, Donald T. (October 21, 2013). When Hollywood Was Right: How Movie Stars, Studio Moguls, and Big Business Remade American Politics. Cambridge University Press. ISBN 978-1-107-65028-2.
External links[edit]
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